He’s creating a subgenre that mirrors his hometown of Chattanooga lush with scenery, bordering the rap legacy of Georgia, and rich in the historic sounds that have made places like Memphis a hotbed for revolutionary rap styles.ĭJBooth’s Yoh Phillips described Isaiah’s last album The Sun’s Tirade as “a new page in the book of Isaiah”, but The House Is Burning saw the whole library wither into ashes. It’s a unique mix, containing mellow soundscapes you’d hear on Outkast tracks like ‘Elevators’ or ‘Babylon’, paired with the hard-hitting, crushing 808s and drum patterns of classic Tennessee hip-hop. The House Is Burning, his second studio album is out and has captured the attention of the rap world. This was the catalyst for the versatile rapper that sits before me on this Zoom call today. In Isaiah Rashad’s early years, his stepbrother lent him a copy of Outkast’s ATLiens. ***This page is meant for mobile viewing only, if you are using a Desktop, we strongly recommend viewing the article here ***
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